In the weeks following the release of a new novel, I usually like to give readers an indication as to what’s coming next. Now that AUTUMN: DAWN has been out for the best part of a month (and huge thanks to everyone who has picked up a copy), it’s time for a brief update.
Coming in July, AUTUMN: DAWN will be released as an audiobook, and also as a German language paperback and ebook. Also next month, THE LAST BIG THING will finally see a paperback release.
By the end of July I fully expect to be deep into the writing of AUTUMN: INFERNO – the second book in the London trilogy – so my updates here may be a little less frequent. Picking up just a short time after the explosive (literally) end of DAWN, the story will see the survivors of book one trying to stay alive in the face of constant attacks from a) an unprecedented number of dead bodies, and b) each other. If the wind’s blowing in the right direction, the book should hit the shelves late this year.
This past weekend Chris Philbrook, Mark Tufo and I completed our edits for the final book in THE BLEED series – ARMAGEDDON. I’ve loved writing this series with Chris and Mark, and I think the conclusion is the best part yet. It’ll be out on 21 September, and can be pre-ordered on Kindle and Audible. A paperback version will be released alongside the ebook and audio.
Reality after reality is being destroyed by THE BLEED. With their options narrowing by the second, and with their group scattered far and wide across the multiverse, it’s down to less than 10 people to try and save the lives of billions upon billions of others.
I’m also working on another novel, and have been for a couple of years now. It’s a psychological horror in which THE WORLD DOES NOT END. Imagine that, a Moody book without an apocalypse! More details when I have something I can share.
I’ve been trying to schedule a Facebook live event for some time, and I’m hoping to make this happen later in July. I’ll share details nearer the time, but if you have any questions you’d like to ask about me or my work, please get in touch.
In previous recommendation posts I’ve talked about my local cinema, which is literally a couple of hundred metres from my front door. In the brief time it was open between lockdowns last year, I managed to fit in a few visits, mostly to see re-releases of old movies on the big screen (DOG SOLDIERS and V FOR VENDETTA, if you remember). But there was one new release I’d been really keen to see which I didn’t quite manage to fit in. The film was SAINT MAUD, and over the course of the UK’s endless third lockdown, I watched a crumpled poster for the movie gradually fading in the winter sunlight outside the cinema. At the risk of sounding pretentious, it was as if Maud herself was constantly reminding me to watch. When the film popped up on Amazon Prime in the UK a short while back, I did just that, and I’m so pleased I did. What a magnificent film SAINT MAUD is.
Maud is a reclusive young nurse whose impressionable demeanour causes her to pursue a pious path of Christian devotion after an obscure trauma. Now charged with the hospice care of Amanda, a retired dancer ravaged by cancer, Maud’s fervent faith quickly inspires an obsessive conviction that she must save her ward’s soul from eternal damnation, whatever the cost.
Please excuse the awful pun in the title of this post – I tried (and failed) to think of an interesting way of writing about the woes of sending international post in the times of Brexit/coronavirus.
I’m from a customer service background, and I strive to make sure everything that Infected Books does is done with the reader first and foremost. Unfortunately, sometimes circumstances conspire to trip me up. I’m hugely grateful to everyone who picked up a copy of the limited edition of AUTUMN: DAWN (there are two left, if anyone’s interested). It’s easily the most beautiful looking book I’ve produced, and I’m insanely proud of it.
Every order has been signed, sealed and posted by me, and it’s been brilliant to see photos appearing on social media from all around the world when copies have arrived. Except for Canada. It seems there is a black hole in the postal system between Birmingham and Canada, and packages are taking an inordinate length of time to arrive. There’s good news, though, as I’ve heard that the first books are getting through (thanks for the update, Mike!), but I just wanted to briefly post here to apologise to Canadian readers and to let you know your books should arrive imminently. Thanks for your patience. Don’t hesitate to get in touch if you have any concerns.
As you may have noticed, I’m doing my best to catch-up on a backlog of film recommendations I’ve built up. Today I want to recommend an absolute gem to you for a couple of reasons. First, because it’s a micro-budget marvel that goes to show that a great concept and copious enthusiasm are infinitely more important than a big budget and faultless special effects. Second, on a more practical level, I’m mentioning it today because if you’re in the UK, you can watch it for free on Channel 4 for the next couple of weeks.
The less you know about ONE CUT OF THE DEAD, the better. Here’s a spoiler-free synopsis and trailer, followed by a couple of (also spoiler-free) thoughts.
Things go badly for a hack director and film crew shooting a low budget zombie movie in an abandoned WWII Japanese facility, when they are attacked by real zombies.
I’m going to keep these comments very, very brief – as I said, the less you know about ONE CUT OF THE DEAD, the more you’ll enjoy it. And I’m sure you will enjoy it. This film is a joy. Absolutely crazy, very funny, wildly surprising, and unexpectedly touching. I’ve read a lot of comments from people who switched off after the first half hour, but DON’T. After a few minutes you’ll probably think you know where the movie is going, and you’re likely very wrong indeed. Please just stick with it. The pay-off is so worth it.
ONE CUT OF THE DEAD comes very, very, very highly recommended by me. It’s a love letter to zombie movies, and also to low budget indie film making in general. If you’re not in the UK, it’s currently streaming on SHUDDER and is available from all the usual places on DVD, Blu-ray and as a download.
When I started work on the new AUTUMN trilogy, and particularly throughout the writing of the recently released AUTUMN: DAWN, I gorged on zombie movies. Nothing unusual in that, you might think, but given the fact I’ve been writing about the undead for a long time, I think I probably watch these films through a slightly different filter than most folks.
If you’ve read my comments on ARMY OF THE DEAD from last weekend, you’ll no doubt have picked up on the fact that I hated pretty much every second of it. In hindsight that may have been, in part, because the zombie movie I’d watched prior to ARMY had a very similar set up and premise, but was infinitely more enjoyable. That film was TRAIN TO BUSAN PRESENTS: PENINSULA. Crappy title – passable film.
I wrote about TRAIN TO BUSAN here in 2017, commenting that it was a ‘top quality action flick that just happened to feature zombies’. This second movie is not a sequel as such, but another standalone story set in the same world as TRAIN TO BUSAN, albeit four years later. Here’s the synopsis and trailer.
It’s four years since the outbreak of a zombie virus in South Korea. The infection has spread throughout the country and it has been sealed off from the rest of the world. On the promise of a better life, four Korean refugees in Hong Kong agree to sail through the blockade to the port of Incheon to recover $20 million US dollars sitting in the back of a truck.