Hello. Long time no speak. I’ve had my head down writing the final HATER book – CHOKEHOLD – but I’m briefly coming up for air to bring you an important update about ALL ROADS END HERE.
On the whole, I’m pleased with how ONE OF US WILL BE DEAD BY MORNING has been received since its release last December. It’s still getting plenty of good press. Just this month, STARBURST magazine called it “a gripping, visceral read, glistening with gore and studded with extreme brutality and with a relentlessly downbeat tone which will please lovers of hard-edged apocalyptic fiction”, whilst SFBOOK REVIEW said it was “clever, convincing, claustrophobic fiction”. Just yesterday, GEEK SYNDICATE published their verdict, with Ian Simpson noting that by the end of the book “you’re likely to be standing in a pile of gore, or not standing at all.”
My publisher has been looking again at how we publish and market the second HATER trilogy, and we’ve decided that these are books which better suit a paperback release. ONE OF US… was hardcover only and is likely to stay that way until we’ve shifted more copies, but ALL ROADS END HERE and CHOKEHOLD will be released as paperbacks from the get-go.
In the case of ALL ROADS END HERE, this means that publication is going to be delayed, unfortunately. The book will now be released on February 12, 2019.
Apologies for any inconvenience or disappointment. This is definitely the right approach for the series as a whole and I cannot wait for you to read the remaining books. In the meantime, can I suggest you re-read DOG BLOOD? You’ll be catching up with a few familiar faces in some unexpected places in ALL ROADS END HERE…
And again, I’m sorry you’ll have to wait to read the new book. Rest assured I’m working on something to cushion the blow, and I hope to announce an upcoming release for 2018 very soon.
It’s been an odd few weeks (though, to be honest, I’ve forgotten what a normal few weeks is supposed to feel like). I’ve spent a lot of time travelling, culminating in my first trip to Iceland which was the single most surprising and invigorating place I’ve been in a long time. Seriously, if we get word that the end of the world is imminent, I’m booking myself another ticket over there. It’s a remarkably quiet, remote, welcoming, and self-contained country. More about that another time. I’m sure I’ll set a book there one day.
Right now, though, my mind is focused on the setting for one of my earlier versions of the apocalypse – the town of Lowestoft, as featured in THEM OR US, the final book in the first HATER trilogy. At the moment I’m outlining CHOKEHOLD – the final book in the second HATER trilogy (hope you’re keeping up with all these book numbers!) which bridges the gap between the end of DOG BLOOD/ALL ROADS END HERE and THEM OR US.
I wanted to brush up on my HATER history, so I’ve worked my way through the original books while I’ve been developing the new series. It’s a weird feeling when you go back and read your own work. I don’t know what it’s like for other writers, but it always catches me by surprise. I remember most of the plot twists and can finish many lines in my head long before my eyes have reached the full-stop at the end of the sentence, and yet there always seems to be plenty I’ve forgotten too. I’ve enjoyed reading HATER and DOG BLOOD for the first time in years, but THEM OR US has been a different experience altogether because reading it followed the recent passing of my mother-in-law.
Betty was the indirect inspiration for THEM OR US. I’ve written here before about how my in-laws’ decision to relocate to Lowestoft in 2004 resulted in me getting to know this most unusual of towns. I’ve a real personal affection for the place, but because of its geographic location (it’s the most easterly point in the UK), it’s often overlooked. Generally, you don’t go to Lowestoft unless you’re going to Lowestoft. It’s not on the way to anywhere, and in many ways it feels like the end of the line. It has a suitably apocalyptic edge which made it the perfect setting for Danny McCoyne’s last stand.
A clickbait post title if ever there was one, but there’s a genuine point to this so bear with me. It begins many years ago, when I worked as a manager in a processing centre for a bank, looking after around 100 staff as we wound our centre down to a close. The work we did was being farmed out to newly opened sites overseas, where it could be done at a fraction of the cost, leaving my team and I redundant. I’m glad it happened, all things considered, because leaving the bank gave me a chance to take Infected Books to the next level and turn my part-time writing hobby into a full-time career.
But that’s not what this post is about. I was working on AUTUMN: PURIFICATION at the time, and having to deal with the redeployment of so many people in the real world brought unexpected benefits to my writing. I was able to release my stresses on the page (ever wondered where the inspiration for Samurai sword-wielding Harry Stayt came from?), and if I found myself becoming frustrated by my bosses, members of my team, or other people I was having to deal with at the time, I’d often picture them as a zombie and give them a particularly gruesome death in the book (without mentioning any names, of course, as I’d already got enough to deal with without being sued by anyone who took objection).
My new book which came out last week, ONE OF US WILL BE DEAD BY MORNING, has again reminded me of the usefulness of creating characters based on facets of people you know or who you’ve had interactions with. I find that it really helps keep them grounded and real, and if the characters in a horror novel are believable, it can add an enormous amount of weight to the emotion and impact of the vile situations you drop them into.
At the weekend I went away with my wife, and on the way home we stopped at Crosby Beach near Liverpool where Antony Gormley’s spectacular ANOTHER PLACE is installed. If you’ve not come across it before, it’s a series of 100 cast iron figures placed facing out to sea across a 2 mile stretch of beach. We visited on an ice-cold, exceptionally windy day, and that added to the impact of the sculpture. There’s something really affecting about seeing so many motionless (and emotionless) figures being buffeted and beaten by the waves. It felt quite dystopian, and the picture I took which I’ve posted here reminded me both of Danny McCoyne in THEM OR US, and Matthew Dunne at the beginning of ONE OF US WILL BE DEAD BY MORNING. These characters are the intentional antithesis of each other, and both play pivotal roles in their respective trilogies as you’ll discover as the new series progresses.
When I was at a particularly low ebb a few years ago and my creative spark had been snuffed out, my wise wife said to me ‘how can you write about people anymore when you don’t know any?’. She was right, of course. I’d become a bit of a recluse, and my writing had suffered. I went back to work in an office, intending to stay there for a few months, and I’m still there after more than 3 years (and just by way of an aside, I now manage a team doing pretty much exactly the job I had Danny McCoyne doing in HATERall those years ago!). Though I have less time to write, the writing I produce is far, far better now that I’m mixing with other people on a daily basis again, and dealing with all the emotions of those interactions, both positive and negative. For me, the benefits of having a completely separate day job are clear, and right now it’s something I wouldn’t want to be without.
And that’s the reason for this post, I guess. ONE OF US WILL BE DEAD BY MORNING has been my first major release for some time, and it’s the first novel in which I’ve used characters inspired by the people I’ve recently worked with. Being around such a wide range of people while I’ve been writing the new HATER novels has been bizarrely therapeutic. I don’t really advocate killing your work colleagues, but do take inspiration from them. If you’re anything like me, it’ll help you in both your writing and non-writing careers. It’ll improve the quality of your characters, and it’ll help you get through those challenging business meetings as you imagine the horrific ending you’re going to give to the person currently giving you an ear-bending…
So thanks to the real Ronan Heggarty and Paul O’Keefe, for the inspiration they’ve both unwittingly provided. You don’t know who you are, but I do!
I’ve told you a lot about it, but I don’t think I’ve properly explained why I’ve been writing a second HATER trilogy. Is it a cynical cash in? A cheap way to drum up interest in my books again after a quiet couple of years? The answer to both those questions is a very definite ‘no’.
The new trilogy has its roots in some of the many movie-related discussions I’ve had about the books over the years. On numerous occasions, producer Ed Barratt and I have talked about TV adaptations (and we came tantalisingly close to getting that off the ground at the turn of this year but, as is so often the way, our plans unravelled at the last moment). Ed and I discussed the issues we’d face trying to translate HATER, DOG BLOOD and THEM OR US to the small screen. Part of the attraction of the books is the fact they focus exclusively on one man’s story, but the more I thought about it, the more I realised that this relatively narrow approach might present problems from a theatrical point of view.
One of the recurring themes of the series is ‘who is the bad guy?’. When the outbreak (or whatever it is) begins in HATER, the natural assumption is that the Haters are the villains. But, for various reasons, we later start to question that assumption, particularly when the extent of the actions taken by the Unchanged to keep themselves safe is revealed. It’s clear that both sides are capable of doing whatever they have to do to survive, and this comes to a head at the end of DOG BLOOD. I’ll be vague in case you’ve not yet read the books (come on, keep up!), but a pretty unspeakable act is carried out by someone. It’s particularly shocking, because that act has huge ramifications for both sides and every surviving individual, Hater and Unchanged alike.
So that got me thinking, are the Unchanged as innocent as I initially thought? Are the Haters as evil and ferocious as they appear? Do the lines ever blur? Are there weaker Haters and stronger Unchanged? How clear is the distinction between the two?
With the release of ONE OF US WILL BE DEAD BY MORNING – the first book in the second HATER trilogy – fast approaching, I thought it would be interesting to start showing you how the two series are connected. They both tell different stories, but there are shared events and locations and… and I’m not going to tell you much more just yet.
With apologies for my limited graphics skills, here’s a handy timeline:
Over the weekend I shared this image to help promote the new issue of SCREAM MAGAZINE. It’s generated a fair few comments on Facebook and Twitter about the new HATER books, so I wanted to give you a very quick update/ explanation.
This is NOT a continuation of Danny McCoyne’s story from the first three books, nor is it a reboot of the series (how I hate that expression). It’s actually a combination of both. The first book details the outbreak of the HATER epidemic (for want of a better word) from a different point of view to the original novel. The second book takes place alongside the events of DOG BLOOD, so you’ll encounter a few familiar faces and places but, again, they’ll be shown in a different light. Chronologically, book three takes place between DOG BLOOD and THEM OR US and fills in a few blanks I deliberately left vague first time around. Our guide through the apocalypse this time around is a gentleman by the name of Matthew Dunne who is a… no, I’m not going to tell you any more just yet.
Though ONE OF US WILL BE DEAD BY MORNING currently has a release date of 15 August pencilled in, this may change. I’ll let you know more when I do. In the meantime, here’s the back cover blurb…
Fifteen people are trapped on Skek, a barren island in the middle of the North Sea somewhere between the coasts of the UK and Denmark. Over the years this place has served many purposes – a fishing settlement, a military outpost, a scientific base – but one by one its inhabitants have abandoned its inhospitable shores. Today it’s home to Hazleton Adventure Experiences, an extreme sports company specialising in corporate team building events.
Life there is fragile and tough. One slip is all it takes. A momentary lapse leads to a tragic accident, but when the body count quickly starts to rise, questions are inevitably asked. Are the deaths coincidental, or something else entirely? Those people you thought you knew well, can you really trust them? Are you standing next to a killer, and will you be their next victim?
A horrific discovery changes everything for everyone. There’s no way home now, and a trickle of rumours becomes a tsunami of fear. Is this really the beginning of the end of everything, or a situation constructed by the mass hysteria of a handful of desperate and terrified people?
The lower the population, the higher the stakes.
Kill the rest of them, before one of them kills you.
As I was saying the other day, time flies. It feels like only five minutes, but it’s five years this month since THEM OR US, the final Danny McCoyne HATER book, was released (note the careful wording there… the final Danny McCoyne book – the HATER story takes a new direction in next year’s ONE OF US WILL BE DEAD BY MORNING).
I’ve got a few events coming up at the end of this year and I wanted to give you plenty of advance notice.
First off, on 30 October, I’m thrilled to announce that I’ll be heading to the Freemasons Grand Lodge in Dublin where I’ll be guesting at HORROR EXPO IRELAND 2016. This sounds like a cracker: Running from 2pm to 2am Horror Expo Ireland promises an unforgettable and unique experience, which boasts a plethora of horror related events and activities ranging from panels, Q&A sessions, screenings, and paranormal investigations. While it is fair to say that this event is not your average convention, the organisers have provided a public platform which is entirely fan focused, as the audience is afforded an opportunity to critically engage with the genre of horror from a range perspectives alongside some of the industry’s most acknowledged experts.
I’ve got some more HATER news for you: I’m writing a new HATER book. Actually, I’m writing three.
For me, the original HATER series was nicely self-contained. Although the whole world had gone crazy and imploded, the books were first and foremost Danny McCoyne’s story. I resisted even thinking about writing other books for a long time because I’d told all of Danny’s story and without a damn good reason to go back to the world of HATER, I thought any additional novels would just be a cynical cash in.
Enter Ed Barratt.
I introduced you to Ed last week. He’s the producer of the new HATER movie, and over the last few months he and I have talked extensively about how, if the first movie is successful, we’d want the rest of Danny’s story to be adapted for screen. The second HATER trilogy is a direct result of those conversations.
Details are pretty sparse at the moment, but click the link and I’ll tell you what I know.
Right… I think that announcement is long overdue. The all-important press release follows. There will be opportunity to ask me questions in the coming weeks, and there will be ANOTHER HATER-related announcement next week. For now, here are the facts:
Hook Pictures producer Ed Barratt and David Moody announce a deal to bring Moody’s classic novel of violence and paranoia – HATER – to the screen.
David Moody independently released HATER onto an unsuspecting world in 2006, and within a couple of short months the movie rights had been snapped up by Hollywood. The production was fast-tracked and attracted some big names. Then, as is frequently the way, the project stalled.
Moody and his fans were left in limbo.
The novel went on to be republished by St Martins Press in the US, Gollancz in the UK, Goldmann in Germany and by numerous other publishers around the world. Two well-received sequels – DOG BLOOD and THEM OR US – followed.
But still no movie.
Enter Ed Barratt and Hook Pictures. Ed said “From the first page of the series I could see the potential for Hater to be adapted into a defining piece of British cinema; that I’m now working with David towards that end is almost as big a thrill as the books themselves”.
Ed and David are thrilled to announce that the development of the HATER movie is now underway from a script by Moody.
“I’m delighted to be working with Ed on this project,” said Moody. “The buzz of having Hollywood interest in my work never really wore off, despite the film not reaching the screen, but there was always a part of me that regretted selling such a small-scale, gritty and uniquely British story to a huge production company. I met with Ed and was immediately impressed by his enthusiasm for the books, and it quickly became apparent that we share a common vision with regard to how this story should be told on screen. When the opportunity to take back the rights and work with Ed arose, I took it without hesitation.
“The central theme of HATER is, I think, more prescient than ever. It deals with some major sociological issues in a unique and confrontational way and I’m confident we’ll create a wildly original movie the likes of which hasn’t been seen before. HATER is a collision between the normality of day-to-day life in the UK today and a full-on apocalyptic nightmare.”
HATER is currently in development for a late 2016 shoot.
And I’d like to introduce you to Ed: Hook Pictures was founded in 2012 as a vehicle for creative producer Ed Barratt to continue to work with fresh and ambitious writing and directing talent to create critically and commercially successful feature films.
Hook Pictures’ debut feature film was Rowan Athale’s The Rise (aka Wasteland) – completed in 2012 – which premiered at the Toronto International Film Festival before screening at London, Rotterdam and Santa Barbara Film Festivals whilst selling to distributors around the world and being nominated for several awards. Ed Barratt was recognised by BAFTA as a Breakthrough Brit for his work on the film.
Hook Pictures has a strong slate of projects in development and relationships with some of the UK’s most exciting new writing and directing talent. Three films are slated to enter production in 2015/16 and the company is venturing into new and original IP by launching comic book publisher Ninth Man in association with leading graphic novel publisher SelfMadeHero.