If you’re in need of a quick zombie movie fix this Sunday afternoon (and let’s face it, who isn’t?), can I recommend #ALIVE, a South Korean movie which is available now on Netflix. It’s nothing you haven’t seen before, but I liked it quite a lot.
As a grisly virus rampages a city, a lone man stays locked inside his apartment, digitally cut off from seeking help and desperate to find a way out.
Here’s a very long trailer (actually the first five minutes of the film):
Well this one came from out of nowhere and blew me away. Its release last year passed me by, and it’s only thanks to a casual mention of the title by a friend and coming across the movie whilst browsing Netflix that I watched it. And I’m so glad I did. I thought it was a fascinating study of loneliness – something that’s considered less and less in many twenty-first century post-apocalyptic films. The concept of being the last person left alive on the planet is something that used to be a staple of end of the world stories (with I AM LEGEND being an obvious example), and yet in today’s increasingly (superficially) interconnected society, it feels like an inevitable by-product of the apocalypse which isn’t discussed as often as I’d expect.
In THE NIGHT EATS THE WORLD our main character Sam is already alone. We meet him as he makes a return visit to his ex-partner’s flat in Paris – filled with people, noise and good times – hoping to collect the last of his belongings. He wants to get in and out fast but is persuaded to stay, and as a result of the booze he consumes to help him get through the obvious awkwardness of the situation, he passes out. When he wakes up next morning, the walls of the flat are covered in blood. He’s slept through the zombie apocalypse.