V for Vendetta

Now that I’m sitting back behind this desk full-time again, I hope to catch up on the backlog of stuff I’ve built up to share. I have a whole heap of book and film recommendations that I want to add to the already substantial page of book and film recommendations that you can find here.

This week, a post that’s been sitting on my desktop unfinished for 6 months and 1 week. How can I be so precise about the date? Because I watched the 4k restoration of the movie on the day UK cinemas closed back in November last year – masked up for literally the final showing before the multiplexes shut their doors. Roll on next week when, hopefully, they’ll be opening up again.

If you’ve read any of my recent posts about AUTUMN: DAWN (and if you read the bonus material that’ll accompany the limited-edition hardcover), then you’ll know that I’ve been doing a lot of thinking about how our appreciation of things we’ve watched and read can change according to our current circumstances. I seem to be making a lot of STAR WARS comparisons at the moment, and this reminds me of my reaction to THE PHANTOM MENACE. Back on opening night in 1999, I was blown away. A new STAR WARS movie! It didn’t seem real, and I loved every second of it. But as time went by and I watched the film a few more times, I started to think that, actually, it wasn’t that good. Fast-forward to 2015 when I did a complete re-watch of the films in anticipation of THE FORCE AWAKENS, and I absolutely HATED the prequels. And now here we are, post-Disney, and yet again they’re being reappraised.

I guess my point is this: your engagement with a film or book is inevitably shaped by your life at that moment in time. Case in point, V FOR VENDETTA. I enjoyed the film a lot when I first saw it in 2005. Fifteen years later, it blew me away.

In a future British tyranny, a shadowy freedom fighter, known only by the alias of “V”, plots to overthrow it with the help of a young woman.

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