Three hundred years after the fall of society, the last fragments of civilization are clinging to life, living in the ruins of the ancient cities in nearly-medieval conditions. Technology has been reduced to legend, monsters roam the forests, and fear reigns supreme. But that is just the beginning…
The wind-borne spores are spreading, disfiguring men and twisting their minds, turning them into creatures that threaten to destroy the townships. Among the townsfolk, political and the religious, dissension is spreading. Through it all, a mother must protect her son…
The stench of frozen rotted meat is in the air! Welcome to the Winter of Zombie Blog Tour 2014, with 10 of the best zombie authors spreading the disease in the month of November.
Today I’d like to introduce you to PETER MCKEIRNON – author of DEATH IN A NORTHERN TOWN and its recently released sequel. I got chatting to Peter a while back and was really interested in his take on the zombie apocalypse (which feels similarly low-fi to AUTUMN, but far funnier). In this guest post he talks about his influences.
I have never seriously thought about my influences. Usually I am asked who my favourite author is or what my favourite zombie movie is, but when Dave asked me to write a guest article about what inspires my writing I began to consider, for the first time, what my real influences are. The answers take me back to my childhood and the horror movies, comedy shows and ultimately the town in which I grew up.
I grew up on a council estate in Runcorn, Cheshire, UK. One of the great things about the area I lived was that once a week a man driving an old Ford Escort would pull up at the top of our road, open the boot and rent out the shittiest collection of pirated movies you had ever seen. But within this mishmash of badly copied 1980s straight to video movies were classic horrors such as Killer Clowns from Outer Space, Munchies (camp Critters rip off), The Evil Dead, The Fly… the list goes on. What was so brilliant was you could rent up to 15 movies a week for £5 and the nice illegal video rental man really didn’t care that a kid who should be at home watching The Never Ending Story was instead renting copies of The Stuff, Class of Nuke ‘Em High, Troll, Garbage Pail Kids The Movie (not really for children, adults or anyone for that matter!) and Vamp.
Watching horror from a young age changed me greatly and where other kids on my estate played football and argued over who was going to be Kenny Dalgleish, Ian Rush or Peter Beardsley, I was busy scaring the shit out of family members by hiding behind doors and appearing at windows dressed up as a vampire or a werewolf! This was where my love affair with horror began.
This week I’m pleased to present a very timely guest post from another of Moody’s Survivors, Jonathan Wood, who talks about one of his (and my) favourite films – Ridley Scott’s seminal 1979 classic, ALIEN. I’m sure there are very few people who’ve yet to see the film, but if you’re one of them, please be warned: spoilers ahead.
The death of H R Giger earlier this month saddened me. A true genius and visionary, his name became synonymous with biomechanics – fusion of the human body and machinery. A futuristic surrealist, it wasn’t until around 1979 that Giger came to the world’s attention for his work on ALIEN. Director Ridley Scott took the theme of a haunted house in space and created a masterpiece of modern horror/sci-fi, thanks in no small part to Giger’s unforgettable biomechanoid xenomorph.
ALIEN was a movie that terrified me as a teenager. And when I say terrified, I really do mean it. After watching the film I think I slept with the light on for about three or four days after, such was the profound effect it had on me. ALIEN has also influenced my own work with it’s principal themes of claustrophobia, surprise, and the steady build up of terror in a story which is all the more terrifying for what we don’t see.