I think perhaps the main reason I love dystopian and post-apocalyptic fiction is the way it strips away all the divisions of society and (generally) puts us all in the same boat. It doesn’t matter what your background or beliefs are, how smart or rich or loud or quiet or well-connected you might be, when the shit really hits the fan, we’ll all likely have as good (or as bad) a chance of survival as the person next to us.
This is something I’ve been giving a lot of thought to recently, not least because we’re in the middle (or possibly the tail end, or maybe still the opening act) of a global pandemic which has had a profound and long-lasting impact on the entire planet, even those who continue to claim it’s a hoax. Far more trivially, I’ve also been thinking about the same themes as I’ve been working on the new AUTUMN books. Book one, AUTUMN: DAWN, was very much a straight-forward survival horror story in the style of the previous books in the series. AUTUMN: INFERNO and AUTUMN: EXODUS, however, will be altogether different. It’s not so much about picking up the pieces after an apocalypse; more about seeing if there are any pieces left to be picked up.
I’ve been catching up with some post-apocalyptic reading, and the novel I’ve just finished – SURVIVORS by TERRY NATION – makes this point very effectively. Unfortunately, it also drives home my earlier assertion that no matter who we are or what we’ve done, in the event of a global catastrophe, we’re all equally fucked. Grim, eh?!
I’m sure many of you will have heard of SURVIVORS – the two BBC TV series, if not the novel. The story, first published in the 1970’s, deals with the aftermath of a global pandemic. A disease with a 95% mortality rate spreads around the world in a matter of days, and the book documents the struggles of some of the remaining 5%. It’s sobering stuff.
In the weeks following the release of a new novel, I usually like to give readers an indication as to what’s coming next. Now that AUTUMN: DAWN has been out for the best part of a month (and huge thanks to everyone who has picked up a copy), it’s time for a brief update.
Coming in July, AUTUMN: DAWN will be released as an audiobook, and also as a German language paperback and ebook. Also next month, THE LAST BIG THING will finally see a paperback release.
By the end of July I fully expect to be deep into the writing of AUTUMN: INFERNO – the second book in the London trilogy – so my updates here may be a little less frequent. Picking up just a short time after the explosive (literally) end of DAWN, the story will see the survivors of book one trying to stay alive in the face of constant attacks from a) an unprecedented number of dead bodies, and b) each other. If the wind’s blowing in the right direction, the book should hit the shelves late this year.
This past weekend Chris Philbrook, Mark Tufo and I completed our edits for the final book in THE BLEED series – ARMAGEDDON. I’ve loved writing this series with Chris and Mark, and I think the conclusion is the best part yet. It’ll be out on 21 September, and can be pre-ordered on Kindle and Audible. A paperback version will be released alongside the ebook and audio.
Reality after reality is being destroyed by THE BLEED. With their options narrowing by the second, and with their group scattered far and wide across the multiverse, it’s down to less than 10 people to try and save the lives of billions upon billions of others.
I’m also working on another novel, and have been for a couple of years now. It’s a psychological horror in which THE WORLD DOES NOT END. Imagine that, a Moody book without an apocalypse! More details when I have something I can share.
I’ve been trying to schedule a Facebook live event for some time, and I’m hoping to make this happen later in July. I’ll share details nearer the time, but if you have any questions you’d like to ask about me or my work, please get in touch.
Please excuse the awful pun in the title of this post – I tried (and failed) to think of an interesting way of writing about the woes of sending international post in the times of Brexit/coronavirus.
I’m from a customer service background, and I strive to make sure everything that Infected Books does is done with the reader first and foremost. Unfortunately, sometimes circumstances conspire to trip me up. I’m hugely grateful to everyone who picked up a copy of the limited edition of AUTUMN: DAWN (there are two left, if anyone’s interested). It’s easily the most beautiful looking book I’ve produced, and I’m insanely proud of it.
Every order has been signed, sealed and posted by me, and it’s been brilliant to see photos appearing on social media from all around the world when copies have arrived. Except for Canada. It seems there is a black hole in the postal system between Birmingham and Canada, and packages are taking an inordinate length of time to arrive. There’s good news, though, as I’ve heard that the first books are getting through (thanks for the update, Mike!), but I just wanted to briefly post here to apologise to Canadian readers and to let you know your books should arrive imminently. Thanks for your patience. Don’t hesitate to get in touch if you have any concerns.
When I started work on the new AUTUMN trilogy, and particularly throughout the writing of the recently released AUTUMN: DAWN, I gorged on zombie movies. Nothing unusual in that, you might think, but given the fact I’ve been writing about the undead for a long time, I think I probably watch these films through a slightly different filter than most folks.
If you’ve read my comments on ARMY OF THE DEAD from last weekend, you’ll no doubt have picked up on the fact that I hated pretty much every second of it. In hindsight that may have been, in part, because the zombie movie I’d watched prior to ARMY had a very similar set up and premise, but was infinitely more enjoyable. That film was TRAIN TO BUSAN PRESENTS: PENINSULA. Crappy title – passable film.
I wrote about TRAIN TO BUSAN here in 2017, commenting that it was a ‘top quality action flick that just happened to feature zombies’. This second movie is not a sequel as such, but another standalone story set in the same world as TRAIN TO BUSAN, albeit four years later. Here’s the synopsis and trailer.
It’s four years since the outbreak of a zombie virus in South Korea. The infection has spread throughout the country and it has been sealed off from the rest of the world. On the promise of a better life, four Korean refugees in Hong Kong agree to sail through the blockade to the port of Incheon to recover $20 million US dollars sitting in the back of a truck.
Today sees the release of the first new AUTUMN novel since 2012. AUTUMN: DAWN – book one of the London trilogy – is available from all the usual locations (links below). I’m thrilled with how the book turned out, but don’t take my word for it. Here’s a great blurb from the brilliant CRAIG DILOUIE:
“David Moody’s AUTUMN: DAWN breathes new life into my favourite undead series. Moody brings his trademark approach to a zombie world: interesting and realistic characters, organic conflict, and always, always, the dramatic and horrifying struggle to survive in a world overrun by the dead.” –Craig DiLouie, author of THE CHILDREN OF RED PEAK
I wanted to thank everyone who ordered the limited edition of the book. All orders have now been despatched around the world. I’d hoped to have got them out sooner, but last minute delays with the printers scuppered that. Hopefully they should start being received in the next couple of days.
If you missed out, there are a handful of copies remaining, as well as signed paperbacks. Order them from www.infectedbooks.co.uk.
Thrilled to see reviews appearing too. BookNest said: “AUTUMN: DAWN is an unabated, unforgiving onslaught of intensity that takes aim at both the light and dark side of humanity. Like a punch to the gut, it knocks the wind out of you on the opening page and keeps you gasping for air until the very end.”
Very happy with that! I can’t wait for AUTUMN: DAWN – and the rest of the LONDON TRILOGY – to stagger and lurch out into the open soon.
There must have been several hundred corpses on the other side of the window, and it felt like every last one of them was staring right at Vicky. It had been over a month since they’d died. She’d been terrified non-stop from the outset, but in the last hour things had become immeasurably worse. Until now the dead had been meandering, appearing vacant and directionless, reacting to occasional movements and noise. Inexplicably, today they had begun herding purposefully together in unprecedented numbers along The Strand. It felt like they were hunting, seeking out the last of the living, and, in the absence of anything else capable of conscious control in this decaying shell of a city, Vicky, Kath and Selena felt like easy targets. Vicky couldn’t think of a worse place to be trapped at the end of the world than this sprawling, chaotic, overcrowded metropolis.
This week, a post that’s been sitting on my desktop unfinished for 6 months and 1 week. How can I be so precise about the date? Because I watched the 4k restoration of the movie on the day UK cinemas closed back in November last year – masked up for literally the final showing before the multiplexes shut their doors. Roll on next week when, hopefully, they’ll be opening up again.
If you’ve read any of my recent posts about AUTUMN: DAWN (and if you read the bonus material that’ll accompany the limited-edition hardcover), then you’ll know that I’ve been doing a lot of thinking about how our appreciation of things we’ve watched and read can change according to our current circumstances. I seem to be making a lot of STAR WARS comparisons at the moment, and this reminds me of my reaction to THE PHANTOM MENACE. Back on opening night in 1999, I was blown away. A new STAR WARS movie! It didn’t seem real, and I loved every second of it. But as time went by and I watched the film a few more times, I started to think that, actually, it wasn’t that good. Fast-forward to 2015 when I did a complete re-watch of the films in anticipation of THE FORCE AWAKENS, and I absolutely HATED the prequels. And now here we are, post-Disney, and yet again they’re being reappraised.
I guess my point is this: your engagement with a film or book is inevitably shaped by your life at that moment in time. Case in point, V FOR VENDETTA. I enjoyed the film a lot when I first saw it in 2005. Fifteen years later, it blew me away.
In a future British tyranny, a shadowy freedom fighter, known only by the alias of “V”, plots to overthrow it with the help of a young woman.