When I started work on the new AUTUMN trilogy, and particularly throughout the writing of the recently released AUTUMN: DAWN, I gorged on zombie movies. Nothing unusual in that, you might think, but given the fact I’ve been writing about the undead for a long time, I think I probably watch these films through a slightly different filter than most folks.
If you’ve read my comments on ARMY OF THE DEAD from last weekend, you’ll no doubt have picked up on the fact that I hated pretty much every second of it. In hindsight that may have been, in part, because the zombie movie I’d watched prior to ARMY had a very similar set up and premise, but was infinitely more enjoyable. That film was TRAIN TO BUSAN PRESENTS: PENINSULA. Crappy title – passable film.
I wrote about TRAIN TO BUSAN here in 2017, commenting that it was a ‘top quality action flick that just happened to feature zombies’. This second movie is not a sequel as such, but another standalone story set in the same world as TRAIN TO BUSAN, albeit four years later. Here’s the synopsis and trailer.
It’s four years since the outbreak of a zombie virus in South Korea. The infection has spread throughout the country and it has been sealed off from the rest of the world. On the promise of a better life, four Korean refugees in Hong Kong agree to sail through the blockade to the port of Incheon to recover $20 million US dollars sitting in the back of a truck.
Zombies are incredibly adaptable creatures. You can drop them into virtually any scenario and enjoy the chaos which ensues. I think that’s probably why many zombie movies aren’t really zombie movies at all. In the same way I said TRAIN TO BUSAN was really an action film, they’re often all kinds of other movies, which just happen to feature zombies.
The same is true of PENINSULA. Whilst there are many thousands of zombies on show here, they’re more of a distraction than a real threat, and the film seems to have more in common with ESCAPE FROM NEW YORK and MAD MAX BEYOND THUNDERDOME than NIGHT OF THE LIVING DEAD. Accept it for what it is, though, and you’ll likely have a good enough time with it.
As is so often the way with standalone sequels like this, we begin with a series of scenes which show how our ‘hero’ characters coped (or, more likely, didn’t cope) during the initial outbreak of the virus. This section was well done, and laid the groundwork for many of the character interactions later in the movie. Nothing here is particularly surprising, but it helps keep the story moving along and serves to ramp up the tensions and set-pieces in the final acts.
The parallels with ARMY OF THE DEAD are undeniable – a small team of damaged misfits is sent into an impossibly inhospitable location to recover a large amount of money for a very nasty man – but PENINSULA is a far, far better film. Whilst ARMY seemed to me to be hampered by Zack Snyder’s visual style, PENINSULA is suitably grim and grimy and takes its cues from TRAIN TO BUSAN. The zombies in particular are recognisable from the first film in that they continue to exhibit a bizarre, almost surreal physicality that often results in surprisingly arresting visuals.
The characters are slightly less cliched here than in Synder’s film, but are still more caricature than character. The cast do their best with the material presented to them and, unlike ARMY, there are moments of genuine tension and excitement. Both films reach suitably predictable finales, but PENINSULA’s tighter running time, more likeable cast, and better direction means its delivery is far more satisfying. That said, in terms of expanding the world of TRAIN TO BUSAN, it has to go down as a huge missed opportunity. PENINSULA is entertaining enough, but its distractions are ultimately fleeting and forgettable.
You’ve no doubt worked out already that films like this are not my preferred type of zombie movie. They play to a specific audience, and that audience is undeniably huge (far bigger than the audience for my kind of gritty, low-fi apocalyptic tales!). I won’t say much more about PENINSULA, other than it’s worth a watch, and if you ever find yourself tempted to watch ARMY OF THE DEAD then stop, remember this post, and watch PENINSULA instead.
Thanks for reading.
Over the years I’ve recommended many films, books, and podcasts. You can find a full list of them here.
A lot of folks find their way to this site from search engines and social media. If you’re new here, let me introduce myself – I’m DAVID MOODY, author of dystopian horror and science-fiction. I’m best known for the HATER and AUTUMN novels, but you can find all my books here.